Saturday, 25 July 2015

Peter Barlow: You're the one that I want (ooh-ooh-ooh)

(This post was originally posted by Flaming Nora on the Coronation Street Blog July 2015, reposted to this blog with permission.)

With the return of Peter Barlow to Coronation Street last night, I think a little celebration is in order. 

The similarities are all there. So slick back your hair with chip fat from For Your Fries Only and let's get to it with a bit of Grease meets Weatherfield.

I got chills, they're multiplying
And I'm losing control
'Cause the power, you're supplying
It's electrifying!
 
You better shape up, 'cause I need a man
And my heart is set on you
You better shape up, you better understand
To my heart I must be true
Nothing left, nothing left for me to do


You're the one that I want
You are the one I want
Oo,Oo,Oo honey
You're the one that I want
You are the one I want
Oo, Oo, Oo honey


You're the one that I want
You are the one I want
Oo, Oo, Oo, the one that I need
Oh yes indeed


If you're filled with affection
You're too shy to convey
Meditate in my direction
Feel your way

You're the one that I want
You are the one I want
Oo, Oo, Oo honey (etc etc etc).
Matron! More tablets!


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Conversation Street podcast's fan goodies for sale

Some new fan goodies being offered by the folks at Conversation Street, the unofficial Coronation Street podcast.

Sit down with a mug of your favourite hot beverage, don your t-shirt and maybe a matching cap, and listen to the podcast.

The podcast is a great way to wrap up the week's episodes of Corrie with irreverent chat about the storylines, Corrie news, listener feedback and a special section each week, maybe a character profile or particular discussion subject.

Hosts Gemma and Michael put their heart into the show and it's a very entertaining hour and a half or so.

See all the items here.

We post the link to their podcast as it matches up with the Canadian airdates, but you can also follow them on Twitter.
Listen via iTunes or online on their website.



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Friday, 24 July 2015

Former Coronation Street writer criticises soap scripts

(This post was originally posted by Flaming Nora on the Coronation Street Blog July 2015, reposted to this blog with permission.)

Kay Mellor was a Coronation Street scriptwriter in the 1980s. Speaking at a Masterclass session at the Haymarket Theatre in central London on Tuesday, she criticised current Corrie scriptwriting.

The MEN reports Kay said: “I just felt that the writing wasn’t as good as it used to be. I watched [the funeral scenes] and I have not watched Coronation Street for years. When I used to watch Coronation Street it was fantastic, they were just brilliant and I don’t think there is the craft there that there used to be. I did feel as if it was a missed opportunity.

“I did feel they were trying to crank up emotion and it was a false emotion. I should have been in a heap really, there should have been something more and I just felt as if it was engineered. It felt false somehow.”

Kay is mum to former Corrie star Gaynor Faye, who played Judy Mallett.  She slammed the show and described scenes filmed for Deirdre Barlow’s funeral this week as ‘engineered’ and ‘false’.

She added: “When I joined Coronation Street, I was the only female writer in the room, mainly it was men. I used to think I was the token woman.

“Those men were very powerful and knew their characters inside out and loved passionately writing for them and I used to read those scripts and believe you me those scripts used to be brilliant.”

Kay has also written BBC’s Fat Friends, ITVs Strictly Confidential and BBC drama The Syndicate.

While I think Kay brings up some interesting points in her argument, I do take issue with the bit where she says she hasn't watched Coronation Street for years. How then can she feel she can come in after years away from the show to criticise it? 

For this Corrie fans, the Deirdre funeral scenes were done beautifully, just lovely.  But they should have been separate from the other nonsense on the Street - the Callum storyline especially. It was horrible having Deirdre's funeral interrupted by comedy Callum and his Power Rangers pyjamas.

Last night's episode, written by Chris Fewtrell, had the intensity, drama and passion of a classic Corrie episode. The long dark night of the soul at the Barlows is an episode that will live on and be remembered.



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Damon Rochefort on writing Deirdre Barlow's farewell

(This post was originally posted by Flaming Nora on the Coronation Street Blog June 2015, reposted to this blog with permission.)

With the sad news that we'll be saying a final farewell to Deirdre Barlow next week on Coronation Street, Corrie scriptwriter Damon Rochefort talks about writing Deirdre's goodbye.

"Even if you’ve never seen a single episode of ‘Coronation Street’, a pound to a penny says you’ve probably heard of Deirdre Barlow. So to the millions of fans who have followed the character through her 42 dramatic years on the show, the death of actress Annie Kirkbride earlier this year was shocking and tragic.

So when I was asked to write Deirdre’s funeral episodes some months ago, I was touched and flattered, of course, but well aware of the level of anticipation from the show’s fans that the character had the send-off she deserved. Being a lifelong fan of the show myself, even if I’d never worked on Corrie, I’d want exactly the same thing. And it wouldn’t be just the fans, either. Annie was a hugely popular cast member and it was important to me that our colleagues on the show also felt I was doing this iconic character justice. So too her husband David and all her friends and family who thought so much of this wonderful woman and the character she so brilliantly portrayed.

No pressure there then.

A few years back, I wrote Deirdre’s mother Blanche’s funeral episode after the sad passing of actress Maggie Jones. In that episode, I wrote for Annie – as Deirdre – a eulogy for her mother which I’m relieved to say was incredibly well received, mainly because Annie delivered it so perfectly. Now I had to do the same for Bill Roache as Ken, as he delivered a eulogy to his wife, taken from him far too early. Bill and Annie were incredibly close colleagues for 42 years, an on-screen husband and wife for many of them. How to fit all that history into a eulogy lasting a few minutes on screen?

And how would daughter Tracy react? A woman who has literally got away with murder and been the bane of many street residents’ lives for years. Would the ice queen finally crack? And what of grand-children Amy and Simon? Her best friends Liz and Eileen? Surrogate mum Emily? The wider community?

Another quandary when actors die unexpectedly is that we write scripts many months before transmission. The public knew Annie was dead. But on screen, in episodes written long before this shocking news, Deirdre was staying at her friend Bev’s, a story we had used to cover Deirdre’s absence on the show when Annie had been taken ill. Now she would never come back. The only task left was to give Deirdre a funeral with all the emotion and – this being Corrie, the humour – this iconic TV legend deserved.

One key when writing these eps was Tracy. Deirdre was pretty much the only person who ALWAYS forgave Tracy. The one person Tracy could turn to when she had alienated everybody else. How would this self-absorbed, callous character react when her lone supporter had gone? The answer came, strangely through a song. When I was deciding which songs Deirdre would have at her funeral I spent an afternoon listening to many. And when I put on ‘Bridge Over Troubled Water’ and heard the lines ‘I’m on your side, when times get rough. And friends just can’t be found…’ I knew I had a wonderful scene. Tracy, weeping, staring at her mum’s photo on her coffin, as the congregation sang these magically apt words which summed up Deirdre’s unfaltering support of her daughter.

Then there was the humour. During Blanche’s memorable time on the show, she famously used to go to strangers’ funerals with her cohorts from the one o‘clock club. It was one of her hobbies. At Blanche’s funeral, the one o’clock club tipped up – led magnificently by June Whitfield – and provided some excellent light relief. Why not have a gaggle of these old dears turn up at Deirdre’s funeral too, in memory of Blanche and out of respect for her daughter? And why not cast a real choir as the one o’clock club members, so the songs would really raise the roof of the beautiful church we were going to shoot in?

For the rest, I’m afraid you’ll have to watch the episodes. Us writers like to hold a few surprises back.

Co-incidentally, we shot Deirdre’s funeral scenes either side of the weekend of Annie’s memorial in Manchester Cathedral. An emotional time then for cast and crew, these last couple of weeks, as they said goodbye to both Deirdre the character, and Annie their beloved colleague. So when you see the on screen tears and emotion from cast members when Ken says his final goodbyes to Deirdre in these upcoming episodes, you can be assured of one thing - it won’t all be acting…"



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Stuffed Marrow: A tribute to Deirdre Barlow

(This post was originally posted by Flaming Nora on the Coronation Street Blog July 2015, reposted to this blog with permission.)

Coronation Street fan Martyn Hett recently had an iconic picture of Deirdre Barlow tattooed to his leg. He's the fan who created the wonderful Audrey Roberts noise too.

In tribute to Deirdre, Martyn's made a YouTube video where he cooks stuffed marrow in his kitchen. While he's cooking he talks about his favourite Deirdre moments from the show.

It's worth watching, there are some lovely clips of Deirdre from the show interspersed with Martyn cooking and chatting.





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Thursday, 23 July 2015

What a Corrie Contrast


(This post was originally posted by Graeme N on the Coronation Street Blog in July 2015.)


I absolutely loved the scenes in Monday's Coronation Street which focused on Deirdre's funeral. William Roache, Kate Ford, Eileen Derbyshire and Beverley Callard all pulled it out the bag to give Deirdre Barlow the send off she so richly deserved.

It was wonderful to hear Eileen Derbyshire's voice ring out in the church as Emily delivered her reading. It was a shame it had to be interrupted by Tracy's shenanigans but there you go. I also loved Ken's eulogy. William Roache delivered it superbly and Damon Rochefort did an excellent job at referencing the past while still keeping it believable and very real. It was full of emotion, touching and funny at times. Perfect. So too was Liz's chat with Ken in the backyard, putting her grievances with Tracy to one side for the greater good.

Unfortunately one element of these funeral episodes really got under my skin. I understand that these days Corrie can't just focus on one issue for an entire episode. It's possible the powers that be don't believe a modern audience would stay with the programme for the full hour if all it did was depict the funeral and send off of a much loved, long-standing character. I know other scenes must be written in to provide a contrast to the main event.


I don't blame the writer for the choice of storyline chosen to compliment Deirdre's funeral. I know these decisions are taken elsewhere. The Callum storyline has been dragging on for eons and I cannot wait to see the back of it. I don't even care how it ends. Callum isn't a character I love, like or can even tolerate. He's not even a baddie I love to hate. I just can't stand him. 

The sight of eye-rolling Bethany and Gemma necking back shots at the bar of that grotty boozer jarred horribly with the otherwise respectful, touching and fond farewell to Deirdre. It just didn't work and I really, really disliked it. It brought into sharp focus that characters like Deirdre are in short supply these days. Deirdre was wonderfully warm, funny and passionate but also deeply flawed. Those flaws never meant you couldn't side with her though or cheer her on as she fought her corner. 

The trouble with the likes of Callum, Sarah or Bethany is that no matter how outrageous or badly behaved they are portrayed, there just is no light and shade. As a viewer I wouldn't side with them or cheer them on. There is nothing to cheer about.


I did raise a glass to Deirdre tonight, one of a quickly diminishing breed. 

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William Roache on saying goodbye to Deirdre Barlow

(This post was originally posted by Flaming Nora on the Coronation Street Blog June 2015, reposted to this blog with permission.)

With the sad news that Deirdre's final farewell will be on the show next week, here's an interview with William Roache, who plays Ken Barlow in Coronation Street.

With Deirdre heading back to the Street, Ken’s planning a surprise party – how’s he feeling about her return?

Ken is thrilled to bits that she’s coming back, he’s really excited and he’s got this surprise 60th birthday party all arranged to celebrate. Then of course there’s this big shock, when their friend Bev arrives to announce the tragic news that Deirdre has passed away.

Does the news that Deirdre’s died come completely out of the blue?
It is totally and absolutely out of the blue, and in complete contrast to what we were expecting, so it is a terrible shock.

How does Ken react? Is he initially in shock?

When something really big happens, you don’t do anything. You are dumbstruck, literally - bang. If it’s something as awful as that, you don’t scream, you don’t shout, you don’t cry, you are just literally struck dumb. So that’s how I played it. Then there are some lovely scenes with Bev where it unfolds and she talks about how Deirdre died, which was was very peacefully, so that’s a blessing for Ken. Then of course it moves into a phase where Ken can’t understand why she stayed away so long. The funeral is coloured by what Bev tells him about why Deirdre stayed away so long, which he thought was himself. He thought she’d gone off him, found another man, or something like that. But it turns out the reason she stayed away was because of Tracy’s awful behaviour, she was so embarrassed about Tracy having the affair with Tony and upsetting her best friend Liz.

Does that make Ken angry with Tracy?
When he hears the real reason she stayed away he gets very angry, because he has been deprived of the last few weeks and months of life with the person he loves, Deirdre, all because Tracy misbehaved. So he has this double emotion to deal with, tremendous grief at the loss of Deirdre, and colossal anger at Tracy. The denying him those last few weeks. So all through the funeral, he’s got this mixed feeling, anger at Tracy and grief at having lost Deirdre, and also the added grief at not having been with her at the end in the last few weeks of her life. So it gives it another dimension at the funeral.

Does Ken break down at any point?
Ken isn’t the sort of person who shows his emotions. For most of it, he’s on the verge of tears but he’s just keeping it under the surface. However then there comes a point where he’s given her glasses. As an actor Ken is given the glasses of Deirdre, which is highly emotive as glasses are very personal, they’re very close to the person, but of course when I got the glasses, they were also Anne’s. Anne had worn those glasses for twenty years, so there was a complete merger for me, there was no Bill and Ken and Deirdre and Anne, it was just one. I felt the loss of both. From an acting point of view it made it totally simple and totally believable and very easy to play. From the grieving and sadness point of view, it made it totally real. It was the only time there is a blurring of the edges between the character and the actor - it was just one, it became complete oneness, which is interesting and helpful.

When you played the scenes after the funeral around the Barlows table with Peter and Tracy there was a lot of emotion, was it confusing at times?
I just dropped the confusion and I found instead of trying to think of it, and think of the confusion, let it be, and let it be one. And it was one. It was the only time, ever, that you could say that Ken and Bill are the same: that was the moment that it was so. It was really, really interesting from that point of view.

Was it nice to have Chris Gascoyne back filming and to do those scenes going over the Barlows’ troubled history with Chris and Kate?
It was wonderful to have Chris back. I love Chris dearly, he’s such a good actor, and such a beautiful person. There was a lot of sad, but sort of joyful moments, heart-warming moments that have come out of those scenes and from having Chris back. I think, from Annie’s point of view, she’s had a wonderful send off, both as a person in the memorial service, and from the story that plays out on screen. Everybody loves Annie, they really did, and the stories show and respect that. It was good to play.

After the funeral there are some classic Barlow scenes where everyone’s rowing – can you tell us a bit about what happens?
Well, it is classic Barlow really, nothing ever goes smoothly and the funeral is no exception. So really Ken has three things going on, which is quite tricky; he’s got the grief of losing Deirdre, the anger at Tracy, and then his son Peter doesn’t turn up when he’s meant to be a pallbearer. So poor old Ken’s trying to think of his eulogy and he’s got all those mixed feelings going on. But that’s good; it’s good writing and a good story, it gives it a three-dimensional aspect.

The row leads to a lot of conversations about the past and Deirdre. Are the issues resolved between them by the end? Are the Barlows almost brought back together by their grief?
It’s very interesting and it’s what is great about the Street itself. It goes back so far, it draws on its own history. So when we have a row, it isn’t a row just about the situation, you draw on all that’s gone on in the past. Ken has always got at Tracy for her behaviour, quite rightly, and so that all comes out. He really goes at her; how she never listens, she never cares, brought her misfortunes on her own head, and I say awful things to her in the church. Deirdre spent a lot of time trying to excuse Tracy’s behaviour, which was inexcusable, so it causes a lot of grief for her and that makes Ken very angry. It was an exploration that went into the relationships between Ken, Peter and Tracy, and Peter and Tracy as well. Whether it’s sorted by the end and they can accept that nobody’s perfect you’ll have to wait and see. Ken hasn’t behaved well, Peter hasn’t behaved well, Tracy hasn’t behaved well. So at the end of it hopefully they can come out more cleansed, as it were, maybe clear the air a bit.

How do you think Ken and Tracy are going to get on living together?
Deirdre was always in the middle sorting them out. She was always the only one who defended Tracy totally. Ken would go at her, but Deirdre defended her. At the moment there’s peace, probably Ken and Tracy are closer than they’ve ever been, for the time being anyway [laughs]. For how long that will be, I don’t know.

On top of this, Tracy’s ex husband Robert arrives. Is Ken aware he’s present at the funeral?
I don’t know if Ken’s aware of that at the funeral, but he certainly comes home, and he’s there. He comes home after the funeral to find Tracy and Robert on the sofa - ‘cavorting’ is the word he uses - which is not really appropriate on the day of his wife’s funeral. He’s very cross, he tells Robert to get out and he doesn’t want to see him again, so it’s not a good start for Robert.

What were his feelings about Robert in the past? Did Ken like him?
Ken didn’t know much about Robert because Tracy was living away when it all happened. I don’t think Ken had any particular feelings about Robert from the past, but seeing him in his living room when he comes home from his wife’s funeral, cavorting on the sofa with Tracy, that is not on. So Robert does not get off on the right foot.

Can you give us a hint about what’s coming up for the Barlows?
There’s lots more exciting things coming up for the Barlows. We’ve got Robert turning up chasing Tracy, then we’ve also got Simon misbehaving. Simon’s not very happy when his Dad comes and then goes again. Simon’s showing signs of his troubled upbringing, it’s not surprising, any child brought into the Barlow household is bound to suffer some deep psychological scarring! I think it’s good that they’re showing he’s got some scarring, because you can’t come through what he has unscathed. He’s lost his mother, he’s seen his father drunk, he’s been through so much, it’s bound to have an effect. I think it’s very good that we’re exploring that. Then there’s also little Amy, on the other hand, who is coming out as quite a little tough character. She’s becoming a mini-Blanche, which I think is great too, because that strength would mean it’s her way of dealing with all the awful things that have happened. It’s good stuff.

Do you enjoy working with the youngsters who play Simon and Amy?
They’re both brilliant. They’re so sweet. They come up after scenes and say ‘Well done’ and give you a hug. Alex is a dear little lad, and little Ellie, she’s wonderful.



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Corrie Canada sneak peeks for July 27 - 31


Without further ado here is a brief sneak preview of what you'll see on  next week's Corrie in Canada.

Tracy appears to try to make amends and is getting closer to Robert. Dan threatens Leanne who then tells Liz the truth. Dan takes his revenge on Leanne. Gary proposes again. Simon has a very bad week. Carla's gambling gets worse. Opportunity knocks at Kevin's door. Gail makes a move on Michael. Tony returns.


For more details and photos, visit the Moosejaw Mercury at Corrie.net



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National Ice-Cream Day, Coronation Street style

(This post was originally posted by Flaming Nora on the Coronation Street Blog 19 July 2015, reposted to this blog with permission.)

Twitter tells me that today is National Ice Cream Day. It may be an American thing, who knows? But what a great excuse to get these pictures of Coronation Street cast members eating ice-creams out and onto the blog.

Ena and Minnie enjoying a cone, probably I'd guess, at Blackpool.

Here's current cast members David Neilson (Roy Cropper) and Melanie Hill (Cathy Matthews) in a break in between filming recently. Photo taken for twitter by @itvcorrie.

And of course, let's not forget Coronation Street's very own ice-cream man with an ice-cream van - Michael 'the ice-man cometh' Rodwell. Just make sure you don't get knocked over when you see him coming with his cone.



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Wednesday, 22 July 2015

Raising a glass to Deirdre

(This post was originally posted by Graeme N on the Coronation Street Blog in July 2015.)


It's Deirdre's funeral tonight on Coronation Street as I'm sure you'll all be aware. Recent episodes have been hard to watch but also executed very well, all things considered. Paying tribute to the character of Deirdre Barlow was always going to be tough for all concerned.

The emotion on display from the likes of Ken, Emily, Tracy and Liz was so real it blurred the lines between fact and fiction. It was always going to be this way given the tragic events off screen back in January. The actors, the writers, the entire crew at Corrie have obviously worked extremely hard to do this send off justice and it shows. I thought the reactions from Ken, Emily and Liz were absolutely spot on. It was right that Bev came back to break the news and the symbolic appearance of Deirdre's glasses was not overplayed and did not feel like a retread of Hilda and Stan all those years before.


I loved everyone gathering in the Rovers and most of all I thought the discovery of Deirdre's battered old Quality Street tin was a delight. It was the kind of moment experienced by many families up and down the land and the letter was very true to Deirdre herself. Lots of red wine, Freshco's finest ham, a short service for those gasping for a fag and a bit of gutsy Nina Simone at the end. Perfect. 

I could have done without a couple of things. I thought the gust of wind blowing the Rovers door open was unnecessary and a bit clumsy. The episodes had been so powerful that it really wasn't needed. I know these days that focusing on Deirdre's death just wouldn't be enough for these episodes, that more would be required. The snippets of Roy and Cathy were fair enough but must we contrast the farewell of such a fine, legendary Corrie character with the ongoing dull drudgery that is the Callum - Sarah - Bethany - David - Kyile merry-go-round? These two storylines hardly compliment each other and every appearance Callum made jarred terribly with the emotional tale unfolding at the Barlows.


I know Deirdre's funeral will be spot on tonight. Coronation Street do big events ever so well. Damon Rochefort is a highly skilled Corrie writer who appreciates the history of the show and the fantastic legacy of this much-missed character. Damon delivered a wonderful tribute to Anne Kirkbride on BBC Radio 4's Last Word programme back in January and I'm sure he will deliver the same tonight. 

I know the funeral will generate further animosity between Ken and Tracy. Funerals have a habit of doing things like that and I hope we see a change in Tracy now her main protector and supporter has gone. However instead of the endless Barlow bickering, I hope tonight's episodes focus on what a life force Deirdre was - the passionate woman from the back streets who married Ray Langton, married Ken twice, stole the heart of Mike Baldwin and will now forever be linked to those sexy specs, stuffed marrows and gargantuan belts which told many a tale.


Monday's episodes of Coronation Street will be deeply sad and moving but they must also celebrate the passing of a legendary Corrie character we all laughed with, cried with and cheered on over 42 years. I'll have my large glass of red wine at the ready. 

You can listen to the Last Word tribute here

You can follow me on Twitter @GraemeN82 




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Conversation Street Podcast 157

Gemma and Michael's podcast for the episodes in Canada that aired (up to last night's Canadian Corrie) can be heard here.

This week, the Street mourns Deirdre Barlow. Ken finds out why she stayed away so long and Simon seems to have shut his emotions down altogether. Carla's gambling. Kylie and David are trying to bring Callum down. There's lots of Street talk this week and some viewer questions.





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Kate Ford on saying goodbye to Deirdre Barlow

(This post was originally posted by Flaming Nora on the Coronation Street Blog June 2015, reposted to this blog with permission.)

With the sad news that Deirdre's final farewell will be on the show next week, here's an interview with Kate Ford, who plays Tracy Barlow in Coronation Street.
How does Tracy take the news about her mum’s death?
Tracy is devastated, she loved Deirdre very much. Over the years, whatever Tracy has done, even if she hasn’t agreed with it, Deirdre has always stood by her and loved her unconditionally. Tracy suddenly feels very alone without her mum.

How is Tracy feeling about her mum’s funeral?
Tracy throws herself into the funeral arrangements, she tries to be very efficient and busy herself with the plans in a bid to block out the pain.

Was it hard to film the scenes of Deirdre’s funeral, given you worked so closely with Anne?
Yes it was very difficult, and emotional at times, but I tried to keep things as separate as I could because it was too painful if not.

Obviously Tracy’s been up to her usual devious tricks of late – does losing her mum make her reflect on her actions and her lifestyle at all?
I think it does, she wants to be a better daughter and a better mother. She does set about making some changes, and maybe trying to call a truce with a certain person, but whether that will last I don’t know.

How does Tracy feel about her dad Ken’s hostility towards her?
She’s angry with him and she doesn’t really understand why he’s being like this. Tracy is mourning the loss of Deirdre too and she really needs some comfort but Ken isn’t forthcoming at all.

For once, does Tracy actually feel guilty when Ken berates her for causing Deirdre so much grief over the years?
Yes she does feel guilty and she vows not to let her mum down again.



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Celebrating 20 years of Roy Cropper

(This post was originally posted by Flaming Nora on the Coronation Street Blog July 2015, reposted to this blog with permission.)

This past Sunday, July 19th was the 20th anniversary of the first appearance of Roy Cropper on Coronation Street.

Roy first appeared as one of the residents in Crimea Street flats where Deirdre Rachid was working as caretaker. Mike Baldwin owned the flats and gave Deirdre a job and a flat there after she returned from Morocco when Samir died.  You can watch the episode here. Roy comes in just after the 5 minute mark.

Roy's first scene on Coronation Street, July 19 1995
Deirdre was the first person to meet Roy and she thought him a little odd. Well, we all did back then.  But it was Roy who saved Deirdre. Depressed after the death of husband Samir, she locked herself away in her Crimea Street flat. It was Roy who noticed she hadn't taken the milk in and wasn't answering her door, and he alerted Mike Baldwin that he thought something was wrong with Deirdre.  In return, many years later, it was Deirdre who found Roy sleepwalking on the Red Rec and she helped him then.

And now, twenty years later, Roy Cropper has become something of a national treasure. David Neilson's peformance has turned Roy into one of the best-loved characters that Corrie has ever had. 

David Neilson with Corrie Blogger, Martin Leay
(Photo by David Doig)

Our blogger Martin met and interviewed David Neilson and wrote some fantastic blog posts. The interview is split into three parts - Part 1 and Part 2 and Part 3

See also: A Perfect Duet - the diary of Roy and Hayley Cropper.



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Tuesday, 21 July 2015

Where would you like to work on Coronation Street?

(This post was originally posted by Flaming Nora on the Coronation Street Blog May 2015, reposted to this blog with permission.)

By 'eck Mavis, that new girl's taking her time putting the kettle on
If you could choose where you'd like to work on Coronation Street, where would it be?  It could be anywhere on the Street, past or present.

I would go back in time and prop the counter up with Rita and Mavis in the Kabin.  I'd be the one who sorted the papers, ordered greetings cards and stationery from the wholesaler. I'd put the kettle on and keep them both happy. I'd also, of course, listen in on all the gossip.

Where would you like to work? And in what role?



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Monday, 20 July 2015

Corrie Canada Weekly Awards for July 13 - 17

Sorrow award: Of all the the reactions to Deirdre's death, Emily's upset me the worst and Steve comforting Ken in the ginnel was almost as bad. It's so much harder to watch when you know the actors are chanelling very real grief into their performances.

Anger Management fail: Dan might say he's changed, but he was quick to threaten Leanne if she told Liz about their past.

Love the One You're With award: Callum can't have Kylie so he's stringing Sarah along.

Like Mother Like Daughter: Gail. Sarah. Bad taste in men. Pigheaded.

Pants on Fire award: Callum pretended he didn't come on to Kylie and dumped Sarah for doubting him.

Corrie History win: Loved Roy telling the story of how he met Deirdre.

Misplaced Loyalty award: So Bethany is willing to let her mother date a drug dealer rather than go back to Italy?

Lines of the week:
Roy "Grief does strange things to a person" (it certainly does)
Julie "It's not that I'm unwilling to give you a second chance. It's that I'm unwilling to be second best"
Julie "The only baggage I want on this trip are my suitcases"
Mary to Dev "You know, sometimes you have all the emotional sensitifity of a pineapple" and to Julie "Dev's lost is the whole world's gain" (and somehow, I think that's exactly what's going to happen. Look out, world!)
Lloyd "Seatbelts on. Smiles off"
Kylie "Looks like you went to a department store and asked for a little boy's bedroom"
Gail about Sarah "She's pig headed. I don't know where she gets it from" (I do)
Steve "That's life, isn't it? Arguing over saving 50p" Ken "And this is death"
Simon "People I care about die all the time. What's new?" (doesn't that just break your heart?)

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